wrote as a comment
"I read your post yesterday, just after I had spent a few hours with Parisian quilting ladies. I am totally hopeless at anything like sewing or quilting, but I like looking at the way they are working and took quite a few photos. Sent the address of your blog and post to my quilting friend. She loved the story and is going to buy the book"
So I wanted to share some additional information from another blog that I just stumbled across. By happenstance, while wandering around on the internet I found another interesting site about that mentions the Gee's Bend Quilters and small world this blogger lives in Atlanta and has been to the exhibit of the quilts at the High Museum in Atlanta.
The Enlightened Hillbilly
A blog by Southerners who sometimes fit the stereotype, but mostly don’t.
Lord We Need Cover
Yeah, yeah, yeah. I know I’ve been lazy. When we started this blog back in November, I got involved for several reasons, but the main one was the fact that I was getting really pissed off reading the newspaper every morning. Writing through that pissedoffedness helped me feel better. Helped me get through the day.
But I kinda took a holiday over the holidays. After the holidays were over, I started reading the newspaper again, and I’d see one more bomb in Iraq, more people dead, more stupid responses from the White House to anything and everything. And I just didn’t care. My brain said, “Oh, yeah, that again.” Even Dick Cheney shooting a rich Texas Republican in the face didn’t get the blood flowing to my typing fingers again.
Ah, but spring is here, and there is new inspiration — but not from politics.
Tonight, my buddy Dan and I went to the members’ preview of a new exhibition at Atlanta’s High Museum called “The Quilts of Gee’s Bend.” If you haven’t heard of the little community in Southwest Alabama known as Gee’s Bend, it sits (as you can see from that map link) in a bend of the Alabama River. It’s an isolated place — a former plantation established by a slave owner named Joseph Gee, now inhabited primarily by descendents of the slaves who toiled there, many of whom carry the family name of slave owner Mark Pettway, who bought the plantation from the Gee family in 1845.
Going back four generations from the present, the women of Gee’s Bend have made quilts. But their style is entirely distinctive. Developed in the isolation of that river bend, it defies the conventions of the quilts we typically see. My wife, who with her best friend and her mother spent a weekend hanging out with the Gee’s Bend quilters a year or so ago, says the quilts look like “jazz come to life” on fabric. I don’t know how much time the Pettway women spend listening to Miles and Trane, but I agree with my darlin’ wife.
These quilts historically were made out of necessity. The High exhibition offers many of the women’s verbatim descriptions of their work. One of them relates a story how her grandmother essentially forced her to learn quilting. “You’ve got to learn,” she said, “because you’re gonna need cover.”
Tonight at the High, many of these wonderful women were in attendance: China Pettway, Arlonzia Pettway, Nettie Young, Gearldine Westbrook and many others. They wandered among the museum patrons, answering questions about their work, telling stories about how this fabric used to be part of a daughter’s outgrown school dress, or how the pattern on the first quilt one woman ever made from new fabric (as opposed to the typical well-worn hand-me-down clothes) came from her notion that she wanted to capture the moon and stars, the entire night sky, on a quilt.
And then, entirely unexpectedly, China and Arlonzia Pettway, along with a few of their friends, began to sing. They clapped their hands to keep time and sang a song that I think, judging from its refrain, was called “He Brought Me Over.” It was simple and beautiful, a declaration of faith in a God who had brought them over sickness, troubles and trials. If you want to see it for yourself, here’s about 30 seconds, caught on a crappy camera phone.
Their declaration of faith in something greater than themselves was public, but done without pretense and proselytizing. It wasn’t the harsh words of the preacher who wants to dictate how you should live your life. Instead, it was beautiful music that did nothing more than invite curiosity about the source of the wonders it portrayed. Their art, hanging all around them on the walls of this great, newly expanded museum, was evidence that life’s most basic necessities — such as the need to ward off the cold and to make waste of nothing — can, with a little skill and persistence, be turned into honest-to-God art for the ages.
I think that this year, I want to learn from them. We’d all do well to do that, I think. We’ve spent so much time learning from those who tear down, those who bring greater trial and turmoil to a world already beset with woe. This year, let’s learn from the folks who, as the Rev. Joseph Lowery said at Coretta Scott King’s funeral this year, turn words into “deeds that meet needs.” The magnificent women of Gee’s Bend turn their scraps and their necessities into things we need — like music and beauty and a nice warm cover on the bed at night.
Let’s learn from them. We’ve got to. Because, in today’s world, Lord knows we’re gonna need cover.
Tag: Gee’s Bend
Tag: Quilts
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